During Garbo's first few years on E. 52nd Street she would have lived with the construction of the Seagram Building (1954 - 1958) by Ludwig Mies van der Rohe (and Philip Johnson) at the corner of E. 52nd and Park Ave. The steel and bronze skyscraper, set back from Park behind sleek fountains, stands as a paradigm for the well-made modern glass office building.
In 1953 the Abby Aldrich Rockefeller Sculpture Garden at the Museum of Modern Art opened at 21 West 53rd St., just one part of a series of additions to MoMA over the course of the 1950s and 1960s.
The Whitney Museum opened on Madison Ave. at 75th St. in 1966. Designed by Marcel Breuer to explicitly look unusual on the street, the Whitney's upside-down pyramid construction nevertheless seems understated. I have walked passed it a few times thinking it looks refreshingly simple and small.
Throughout the mid-century decades, Garbo walked by and around these modernist design revolutions, just as we, too, await the clearing of the pathways around our own high-tech and curvy glass-sculptured buildings. I like how the older moderns have settled into the landscape over time. I only hope ours can fare as well.
Image: E. 52nd St. at Park. The Seagram Building on the left, looking east down E. 52nd toward Garbo's apartment building, The Campanile, at the far south end of the street.
See complete Garbo Walks.
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