
"She is like a lovely wilde-wood animal...or a child." -
Photographer Edward Steichen on Garbo. His 1929 photograph of her for Vanity Fair is widely reproduced.
Photographer Edward Steichen on Garbo. His 1929 photograph of her for Vanity Fair is widely reproduced.
While I take a break from inputting Garbo data into a new Google map, I want to talk about my dog depicted here. While out walking today, a man came up beside me and started chatting about the beauty of my dog. When he asked about her breed, I told him that she was predominately a mixture of rottweiler and chowchow but with a little shepherd tossed into the mix. He said that he thought her coloring was "rare" in its beauty, but he could also see in her a slight intimidating quality. The phrase "femme fatale" came to me, a description sometimes used in respect to Garbo.
This conversation about my dog is repeated each and every day. The toughest dudes in the park will look up and comment, "That's a beautiful dog!" I've seen young women put their hands over their gaping mouths when they spot my dog, like they just saw Johnny Depp. A woman tending to flowers in a nearby community garden went into raptures when she saw my big pretty dog. In a refined English accent, she commented, and with great effect, drawing out and enunciating each word, "Nature...shall...never...copy...that...face...again."
Dinnertime conversation at our house often includes stories about what people said that day about the dog.
Beyond the perfect symmetry and color of her features, the dog exudes a slight air of weariness and caution. If a stranger approaches too close, she's more than happy to act like a trained killer. I love this quality about her. Garbo had it, too.
The dog that I left in the elevator is a fox terrier. He's cute, but he's forever upstaged by the beautiful dog of diverse heritage who spent her formative months in the pound.
See complete Garbo Walks.
Image: BearBear, pastel drawing by WOTBA
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